Last Update: 17:45 +0300 The Pedo Files Curated by JAR2 The Munich Declaration of the Duties and Rights of Journalists The responsibility of journalists vis-a-vis the public has precedence over any other responsibility, in particular towards their employers and the public power. [A journalist's duties include] respecting the truth no matter what consequences it may bring about to him. Defending the freedom of information, of commentaries and of criticism, [and] not suppressing essential information. We are told the work on (and other message boards) is illegitimate because people are rushing to conclusions, or because they are being paranoid, or partisan (despite so many of different political complexions provably working together). The subtitle here of course is that the State is solely legitimate to suspect and investigate crimes.

But what if the State itself is, in a systemic way, responsible for said crimes? It wouldn't be a first; after all, democide (death by government, a word surprisingly absent from conversations) of non-natural deaths in the 20th century. Whether one is from the right, left, or center, one cannot deny government is the number one abuser, enslaver and serial-killer in History. We may honestly disagree on the ways to eradicate the phenomenon, or we may regret that fact, but we cannot deny it.

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So, if the State itself is committing crimes, it is the people's sovereign and sacred duty to expose it. Those who understand this truth best tend to become journalists. At least, that's what drove me to the profession. Now specifically on this work. First, there is context; institutional child abuse is already a phenomenon. From the Presidio affair to Jimmy Saville and the BBC, or from the Vatican's historic involvement in covering-up pedophilia to US legislators' documented trips on the 'Lolita Express', from the questions still surrounding Dutroux to the Hampstead doubts, the scourge has been featured in the news, movies, documentaries, art work.

There have also been many policymakers, prosecutors, investigators and victims denouncing the very phenomenon; see for example British MP John Mann before Parliament on the subject last year, or the by former undercover Interpol agent (Bannon). Indeed it is a secret de. So the only possible disagreement can be on the scale and systemicity of the phenomenon. To honestly decide whether that's what we are seeing in the Podesta emails, please have a look. Look at the invitation at the end of the thread. Ms Luzzatto is inviting people (among which are John and Mary Podesta) to a farm in Lovettsville.

This is what she says: We plan to heat the pool, so a swim is a possibility. Bonnie will be Uber Service to transport Ruby, Emerson, and Maeve Luzzatto (11, 9, and almost 7) so you’ll have some further entertainment, and they will be in that pool for sure. Impossible, you say? They couldn't possibly be speaking about abusing the children! After all, what step-grandmother would offer three innocent children up for group abuse?

This is how invitee Drew Littman answers the invitation: I've never had an affair, so I pass the Walter Jones test. If you aren't aware, Walter B. Jones has for 20 years been the U.S. Representative for North Carolina's 3rd congressional district; in DC he's regarded as the absurd caricature of a do-gooder, i.e. He is a noble man indeed. Agreed, if that example was the only one, one could dismiss it as baroque misinterpretation.

But there's more, much more. Let's not even get into the and codewords - even though 'cheese pizza' is a euphemism for 'child porn' (and there are abundant examples in the Podesta emails where that term is used in very strange and out-of-context manners). How about the fact that John and Tony Podesta are old friends of Jeffery Epstein, Dennis Hastert and Clement Freud, three convicted child molesters? Who has so many child rapists as friends?

Who with child rapists after they're exposed and convicted? How about the Katy Grannan around the Podestas' mansion, depicting naked teenagers? How about Tony Podesta writing he's from being seated next to 'the kids' on an airplane? How about the underground vault on the Podestas' property which allows them to watch 'very complicated video pieces'? If you are feeling ill-at-ease, that reaction is honorable.

And the worse thing is you haven't yet seen much. But for more, you'll have to for it. Indeed one might be breaking statutory laws by linking to some of the clues Internet sleuths have found in the past three weeks. For example, did you know James Alefantis, listed 49th 'most influential' person in DC by GQ, chef and White House regular, boyfriend of David Brock, owner of Comet Ping Pong, had an Instagram account filled with references to and depictions of child abuse and torture? Indeed it's not just the in his restaurant or the he hosts there; it's not even the fact his menu and the logos of three other iconic businesses next door feature pedophilia symbols.

No, this is about his own posts, pictures, comments and friends on social media. Again, you'll have to for yourself. It is hardly ambiguous. Indeed it is Alefantis who puts the pizza in #Pizzagate. If that surprises you, did you know Arun Rao was caught 'liking' several of Alefantis' creepiest toddler Instagram posts? Install Windows Server 2008 R2 Cluster. Again, that could be dismissed - only there's all this context, and the fact Mr Rao is a Assistant US attorney, and charged with prosecuting child pornography and abuse.

And if you're still not distinguishing the pattern, did you know that Laura Silsby (Gayler), the woman trying to thirty-three children out of Haiti (a country where the Clinton Foundation ), whose release from jail became a Ms Clinton, thereafter an associate of MyStateUSA, which changed its name to AlertSense, and which is the one the technology to issue Amber Alerts? Enough already. If anything I have proven the legitimacy of the following question: Is there a systemic pedophilia problem in Washington DC, as we there is one in Hollywood? In terms of national systemicity, the statistics are eloquent. The (ICMEC) estimates that 8 million children are reported missing each year around the world.

Of that number, according to U.S. Department of Justice research, will go missing in the United States alone — a rate of over 2'000 missing children each day — with entered into the FBI’s National Crime Information Center (NCIC) database in 2014. With a (aged 0 – 17) of around 74 million in the United States, the U.S. Department of Justice figures equate to around 1 child in every 92 going missing in the United States each year. This looks like a systemic problem indeed. Childhood disappearances cancer deaths in the United States by one third. Therefore, given the sheer amount of leaked emails, and the suspected phenomenon's scale and repartition, it is likely the data dumps (Podesta and other Wikileaks, Guccifer 1/2, DNCLeaks, etc.) provide some clue to the problem.

Therefore, they should be investigated thoroughly under than particular lens, and suspicions need to be corroborated with other (and previously) known facts. So, my fellow journalists, why aren't you all looking into this?

Is it easy for you to dismiss it as confirmation bias? I'm not going to answer the question for you. At least hop on the bandwagon: this is coming out with or without your help. But remember some moments are defining, in one's career, for one's conscience. I'll conclude with two of the Munich Declaration of the Duties and Rights of Journalists (kind of our own Hippocratic Oath). The responsibility of journalists vis-a-vis the public has precedence over any other responsibility, in particular towards their employers and the public power.

[A journalist's duties include] respecting the truth no matter what consequences it may bring about to him. Defending the freedom of information, of commentaries and of criticism, [and] not suppressing essential information. And one question: If this doesn't matter, what does?

In the run up to the DVD release of Jake West’s documentary Video Nasties:Draconian Days, I have not only met with the man himself to record a wonderful (if I say so myself) interview/conversation, but have also been watching films that caused some chaos in the UK. Whilst we all generally know the term video nasties, its not just horror films that have come under fire in recent years. Last night I watched for the first time in several years the fantastic and also very strange film Crash, by David Cronenberg (dont mistake it for the Paul Haggis film) Its very safe to say that Crash is most definitely a film that you either love it or hate everything about it.

Watching it last night, Annette (who had never seen it before) despised the film and everything about it. Myself, I love this film but can never work out why.

Perhaps its just the fact that I love David Cronenbergs work, had the film been made by McG, would I still feel the same way about it? But Crash for me is a masterpiece of strange people doing unthinkable weird things to each other (leg wound anyone ‘shudder’) in a world that seems so devoid of emotion (as many Cronenberg films are set in) Littered with more than likely more sex scenes that anything out of a porno film (but other than nibbles and some pubic hair, the sex scenes arent really that graphic. They only seem really graphic) The film takes us into the world of Autoerotisism, now I get that some people love cars, But these people REALLY love cars and more importantly they love the feeling they get from crash crashes (hence the title) To try and sum up the storyline of this film would be a nightmare but its worth reminding each other that this film is based on a book that was deemed unfilmable. David Croneberg proved them wrong.

So what was all the fuss about? What did the so called ‘powers that be’ think of Crash? In the UK this film was banned from sale or theatrical exhibition within the city of Westminster (London), although it was possible buy the DVD in greater London and (in theory) see the film at a cinema outside of Westminster (this was true at the time of cinematic release in 1996)). Also, similar theatrical bans were placed in other parts of the UK cities (including Chester, Cardiff and Durham to name a few) Despite the film’s hugely controversial subject matter (sex) and its subsequent banning from cinemas in the Westminster area of London the full NC-17 version was passed completely uncut by the BBFC. In the UK the Daily Mail newspaper led the calls for the film to be banned with a front page headline reading “Ban This Car Crash Sex Film”. To cover themselves against possible prosecution the BBFC consulted a QC to determine whether the film contravened the Obscene Publications Act, a psychologist to see if it could potentially incite copycat behavior, and a group of disabled people to see if the character played by Rosanna Arquette would be considered offensive to them. After all 3 consultations proved to be successful and the BBFC were able to pass the full unrated version completely uncut.

Strangely enough (or not) then ‘Ban This Film’ campaign actually drew audiences to see what all the fuss was about. Working in the video store at the time. People really wanted to see ‘Crash’ mainly due to the fact they were being told by the newspapers that the film was sick and should never be watched.

Looking back on Crash, the film is still very powerful. But its not a scene or even ten scenes that makes the film so unnerving. Its extremely voyeuristic and I think thats what unsettles people the most. The audience watching unlikeable characters doing things to each other that we arent meant to see in a world we wouldnt really want to live in. Have you seen Crash? What are your thoughts on it?

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