'Can an effective episode of Classic Albums be produced when its subject's creator has been dead for more than a quarter century? Perhaps surprisingly, the answer is yes. With Experience members Noel Redding and Mitch Mitchell, additional musicians on the order of Steve Winwood and Dave Mason, manager Chas Chandler, and engineer Eddie Kramer telling much of the story, Jimi Hendrix still stands front and center in this hourlong examination of the making of his most ambitious release, the 1968 double LP Electric Ladyland. The series's usual centerpiece (isolating parts of the multitrack tapes to illuminate the whole) is invaluable not only in demonstrating Hendrix's genius for building performances in the studio, but, by extension, implying how the music coming out of his head reflected his heart. The result is possibly the most moving documentary about Hendrix, and certainly one whose rare bits of film (such as a promotional clip for 'Burning of the Midnight Lamp') make it even more invaluable.' HUD Premium Theme For Windows 7.

Oct 24, 2014. Eventually he gets sucked in, his final words being, 'Sound and fury drown my heart/Every nerve is torn apart.' The track appeared. Progressive cyberpunk metal from Voivod's 1988 album Dimension Hatross, a concept album following the exploits of the band's mascot cyborg Korgull. This track is a fan.

-Rickey Wright 'While the average Hendrix fan might not be interested in the details of how Electric Ladyland was made, for musician this DVD is priceless. If you've seen 'The Making of Sgt Pepper' and liked it, this is a similar treatment of Electric Ladyland. You get to hear individual tracks and interviews from the engineer and band members on how it was all done.

Eddie Kramer, Mitch, Noel, all talking about their memories. You also get a glimpse into the personality of Hendrix that is very different than the wild man image. This movie has given me even more appreciation of this musical masterpiece.' Thomas Hudson.

At War With Self is the project conceived by multi-instrumentalist Glenn Snelwar, best known as one of the guitarists on the Gordian Knot debut which featured members of King Crimson, Cynic, Watchtower and Dream Theater. For the project's first album Torn Between Dimensions (2005) Glenn collaborated with Mark Zonder (drums & spercussion) and Michael Manring (fretless bass & e-Bow). The instrumental trio created an amalgam of tight-knit compositions encompassing progressive rock, metal, jazz, ambient and classical stylings, often within the boundaries of each composition. The end result was critically acclaimed and continues to grow a following as word of mouth of the project expands.

For Acts of God, the second release from the At War With Self project (2007), Snelwar has desired to create a set of compositions with the intentions of living up to the label 'progressive' by dramatically changing almost every facet of the project while staying true to the underlying inspiration of the project's inception - to combine disparate styles and create music with no boundaries. No better choice than Damon Trotta as a co-writer and bassist to create what is sure to be as intriguing a release as Torn Between Dimensions. With Trotta on bass, vocals, synths and programming and Snelwar on guitars, mandolin and synths, the duo is assisted by Sluggo's Goon Music labelmates James vonBuelow (guitars), Steve Decker (drums), Mark Sunshine (vocals), Dave Archer (synths) and Manfred Dikkers (drums) to create some truly stunning, inspired progressive music.

The 2009 release A Familiar Path is the third chapter of At War With Self, which is a return to Snelwar's roots as a musician that maintains the concept of the project changing for each release. The original concept in which Snelwar combined classical guitars into progressive and thrash metal has been re-visited and fully realized with A Familiar Path. The new incarnation of At War With Self features Manfred Dikkers, who joins Snelwar again from the Acts of God sessions on drums and percussion. Sap Adobe Form Designer Download here. The tracks on A Familiar Path are 'the heaviest, most aggressive and accurate version of what I've had in mind for combining metal and progressive influences with classical guitars' says Snelwar. Instrumental tracks such as a hybrid half-classical, half-metal rendition of a Heitor Villa-Lobos guitar study, the Slayer-meets-King Crimson aggression of Concrete and Poison and Diseased State, a new rendering of Reflections originally featured on the debut Gordian Knot disc and the guitar shred of The Ether Trail, are balanced with the vocally-centered title track and Ourselves. A Familiar Path is accompanied with artwork that completes the emotion and intensity inspired by the 42 minutes on the disc.