The New Real Book Pdf 360
Played in 's and 's bands in the 1950s before starting a successful solo career. With Davis, he composed the standards ', ' and '. – Bebop composition.
Composed by, Lewis P. Simpkins and Oscar Washington. Composed by • 1952 – '.
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Composed by with lyrics. • 1952 – ' Composed by with lyrics. Written by Bob Haymes and Alan Brandt. Composed by with lyrics. Composed by with lyrics. Composed by and with lyrics.
• 1954 – ' (a.k.a. 'In Other Words'). Composed by with lyrics. Composed by with lyrics.
1955–59 [ ] • 1956 – '. Composed by with lyrics. Composed by with lyrics. – composition by from his album.
Composed by with lyrics. Composed by, who added lyrics. Online Map Programs For 1st Grade. • 1958 – ' (a.k.a. 'No More Blues'). Composed by with lyrics by (Portuguese) and and Jessie Cavanaugh (English).
Composed by with lyrics. Composed by with lyrics. – composition from 's album. Credited solely to Davis on Kind of Blue and to Davis and on Evans's, the songs authorship is disputed; Evans and claim that Evans alone composed the tune.
• 1959 – ' (a.k.a. 'Slightly Out of Tune', also 'Off Key'). Composed by with lyrics by (Portuguese), and and Jessie Cavanaugh (English). • 1959 – ' (a.k.a. 'A Felicidade'). Composed by with lyrics by (Portuguese) and Hal Shaper (English).
• 1959 – ' (a.k.a. 'A Day in the Life of a Fool', also 'Black Orpheus'). Written by and with English lyrics. Composed by with lyrics. • 1959 – ' (a.k.a. • ^ Listed in New Real Book, Volume I • ^ Listed in • at jazzstandards.com - retrieved on April 29, 2009 •, p. 194 • ^ Listed in • at jazzstandards.com - retrieved on April 29, 2009 •, p.
26 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 304 • at jazzstandards.com - retrieved on April 24, 2009 •, p. 386 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 256 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 288 • at jazzstandards.com - retrieved on February 20, 2009 •, p.
363 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 439 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 175 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 175 • The Real Book (6th ed.).
Milwaukee, WI: Hal Leonard Pub. • at jazzstandards.com - retrieved on February 20, 2009 •, p. 349 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 13 • at jazzstandards.com - retrieved on May 7, 2009 •, p. 21 • at jazzstandards.com - retrieved on February 20, 2009 •, p.
52 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 111 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 106 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 149 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 229 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 277 • at jazzstandards.com - retrieved on February 20, 2009 •, p.
309 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 363 • at jazzstandards.com - retrieved on February 20, 2009 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 84 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 255 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 339 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 54 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 192 • Ratliff, Ben (December 06, 2002) 'Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes' • at jazzstandards.com - retrieved on February 20, 2009 •, p.
74 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 277 • Morrison, Nick (October 13, 2009) 'Art Blakey: Jazz Messenger, Jazz Mentor' Accessed July 31, 2013. • at jazzstandards.com - retrieved on February 20, 2009 •, p.
11 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 18 • at jazzstandards.com - retrieved on February 20, 2009 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 51 • See page 20 of the Fall 1993 issue of Letter from Evans () where Earl Zindars says 'I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over.'
• 35m30s - On being asked about the issue by the interviewer (Marian McPartland), Evans said 'The truth is I did [write the music]. I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties' • at jazzstandards.com - retrieved on February 20, 2009 •, p. 151 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 121 • at jazzstandards.com - retrieved on April 24, 2009 • at jazzstandards.com - retrieved on February 20, 2009 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 276 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 285 • at jazzstandards.com - retrieved on February 20, 2009 •, p.
306 • at jazzstandards.com - retrieved on April 29, 2009 •, p. 355 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 364 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 397 • • at jazzstandards.com - retrieved on February 20, 2009 •, p. 154 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 311 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 314 • at jazzstandards.com - retrieved on February 20, 2009 •, p.
384 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 335 • at jazzstandards.com - retrieved on February 20, 2009 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 56 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 158 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 14 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 76 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 105 • at jazzstandards.com - retrieved on April 29, 2009 •, p.
229 • Rosenthal 1993, p. 68 •, p. 378 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 110 • at jazzstandards.com - retrieved on February 20, 2009 •, p. 268 • 2011-10-06 at at jazzstandards.com - retrieved on February 20 * 1974–2009 •, p. 20 • at jazzstandards.com •, p. 46 • review on - retrieved on March 27, 2009 Bibliography [ ] Reference works [ ] • Rosenthal, David H.
Hard Bop: Jazz and black music 1955–1965. Oxford University Press US.. Fake books [ ] •, Volume I. • The New Real Book, Volume II. • The New Real Book, Volume III.
•, Volume I (6th ed.). • The Real Book, Volume II (2nd ed.). • The Real Book, Volume III (2nd ed.). • The Real Jazz Book. Warner Bros.. Fair Game 1995 Torrent.